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Loire Valley chansonniers
The Loire Valley chansonniers are a related group of songbooks copied in the Loire Valley region of central France c. 1465-c. 1475 and produced in the context of the French royal court. They consist of five chansonniers: Copenhagen, Dijon, Nivelle, Laborde and Wolfenbüttel. The songbooks, smaller than a modern paperback,〔 personalized and lavishly decorated, are the earliest surviving examples of a new genre which offered a combination of words, music, and illuminations.〔(【引用サイトリンク】title=Short Description for Songs, Scribes, and Society )〕
==History==
The chansonniers of the late 15th century were objects of leisure, offering artistic, musical and textual aspects to form a multidimensional reading experience. Prior to the 1470s, words were written first by scribes, and then musical symbols were aligned to them. But in the 1470s, melodies were set out first, followed by their words, but not in systematic alignment, only in proximity. The books contain secular vernacular songs in three or four voice parts with text that drew upon the poetic tradition of courtly love, written by composers that were active in the Loire Valley region at approximately the same time. Each voice part is introduced by decorated initials. Out of a total 273 songs, 107 are songs surviving in just one source.
Two of the chansonniers (Dijon and Laborde), have quasi-alphabetical indexes. Unlike those of Antoine Busnois, Firminus Caron's songs are poorly represented in the Loire Valley chansonniers. Of the two song attributed to Josquin des Prez, one is "Adieu mes amours".
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